Caitlin Gabb
Women in Massey Music
Interviewed by Georgie Levien
Caitlin performing for King hit - photo by @ev_takethephoto
Caitlin Gabb is a third‑year Commercial Music student at Massey University from Hamilton. A multi‑disciplinary creator—songwriter, performer and visual artist—she discovered her love of music at Hamilton Girls’ High School and channels inspiration into intimate, instrument‑led songwriting. In 2023 Caitlin competed in Smokefree Rockquest as one half of Odd Shot, winning Waikato Regionals, and has recorded songs with Play It Strange as a songwriting finalist. She also performs guitar and vocals with Pōneke four‑piece King Hit, whose dense shoegaze/ hardcore/ Midwest‑emo sound is showcased on their new single “sap.”
How have you found studying commercial music at Massey and being a part of the Wellington music scene?
I’ve enjoyed my time a lot while studying commercial music at Massey. Coming from Hamilton, where I didn’t experience much of a music scene, Wellington is a breath of fresh air. There’s a lot of collaboration to go around for everyone - a great example of this is Glasshead Records! As a collective they’ve put on so many shows, facilitated recording + distribution for music releases, and connected musicians locally and beyond.
What has your experience been like as a woman / queer person in this scene?
There’s something very special, even magical, about working with other women and queer people in the music scene.
Do you feel like there’s space for your voice and identity here? Why or why not?
In short, yes absolutely I do. I’m surrounded by incredible musicians who are even better people so it’s not something I often think or worry about. This being said, sometimes I feel the desire for women and queer people to be a part of projects, bands or shows can feel tokenistic. I will always support and encourage making an effort to include women and queer people, however, I think it comes down to the intention behind it - Is it coming from a place of respecting their artistic abilities or do you want the street cred and social approval? Potentially a cynical take from me but definitely something that has crossed my mind.
What’s something people might not realise about your experience in the scene?
I find going to local shows to be the most creatively energising thing. I think it’s because it’s music displayed in such a community-oriented way at the local venues.
What does a more inclusive music scene look like to you?
At the moment, I think inclusivity looks like anyone being feasibly able to make music and put on shows, etc. Funding local music is where it’s at!